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Semantic Microtonal Music International Competition Award 2018

by Tomi Simatupang

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Competition website: semantic-danielou.com

I've finally decided to publish my microtonal compositions which I have made for the ๐’๐Œ๐Œ๐ˆ๐‚ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ– ๐€๐ฐ๐š๐ซ๐๐ฌ organized by ๐ˆ๐ง๐๐ข๐š-๐„๐ฎ๐ซ๐จ๐ฉ๐ž ๐…๐จ๐ฎ๐ง๐๐š๐ญ๐ข๐จ๐ง ๐Ÿ๐จ๐ซ ๐๐ž๐ฐ ๐ƒ๐ข๐š๐ฅ๐จ๐ ๐ฎ๐ž๐ฌ (๐…๐ˆ๐๐ƒ) and ๐‰๐š๐œ๐ช๐ฎ๐ž๐ฌ ๐ƒ๐ฎ๐๐จ๐ง*. ๐˜‹๐˜ข๐˜ณ๐˜ด๐˜ช๐˜ฏ๐˜ช๐˜ด ๐˜‹๐˜ณ๐˜ฐ๐˜ฐ๐˜ฎ (overall winner) and ๐˜ˆ๐˜ณ๐˜ช๐˜ต๐˜ฉ๐˜ฎ๐˜ฐ๐˜ต๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜š๐˜ต๐˜ถ๐˜ฅ๐˜บ - ๐˜๐˜ฏ๐˜ฅ๐˜ช๐˜จ๐˜ฐ (best film score). It was a ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ competition and I submitted ten minutes before deadline after having had only a week, but I've left the somewhat generic sounding original instruments and only did a warmer remaster than the submitted audio. Please have a listen! - namaste, Tomi

* ๐‰๐š๐œ๐ช๐ฎ๐ž๐ฌ ๐ƒ๐ฎ๐๐จ๐ง is a musical ... ๐™—๐™š๐™ž๐™ฃ๐™œ, born in 1951. In the late 60's he was a pioneer of French psychedelic rock in formations like ๐‹'๐€๐ฌ๐ฌ๐ž๐ฆ๐›๐ฅรฉ๐ž and ๐ƒรฉ๐๐ข๐œ๐š๐œ๐ž. Soundtrack for ๐€๐ฅ๐ž๐ฃ๐š๐ง๐๐ซ๐จ ๐‰๐จ๐๐จ๐ซ๐จ๐ฐ๐ฌ๐ค๐ข'๐ฌ ๐˜›๐˜ถ๐˜ด๐˜ฌ, stage-sharing with ๐…๐ซ๐š๐ง๐ค ๐™๐š๐ฉ๐ฉ๐š, organizer of the first Rock Festival in Kabul, touring the Middle East and India, friendship and synergy with ๐ƒ๐š๐ฏ๐ž๐ ๐€๐ฅ๐ฅ๐ž๐ง (๐†๐จ๐ง๐ ) - Monsieur Dudon is psychedelic rock history in person. Jacques is also a microtonal expert, singer in classical Indian style, and instrument inventor ๐Ÿคฏ. We met eventually and had some fun hanging out, exchanging musical ideas and rescuing my car from a slippery slope.

About the musical system used in this competition (from Wikipedia):

The Semantic System is based on a microtonal musical scale tuned in just intonation, developed by ๐˜ผ๐™ก๐™–๐™ž๐™ฃ ๐˜ฟ๐™–๐™ฃ๐™žรฉ๐™ก๐™ค๐™ช.

For Alain Daniรฉlou the subtleties of the intervals of music of oral traditions cannot be expressed using the equal temperament tuning system of 12 notes per octave, which has been the prevalent system in Western culture for around two centuries. This "artificial" musical scale was developed as a compromise, to standardise musical instruments by reducing the number of notes they could play, but it also reduced the possibilities of expression for both composers and musicians.

ยซ Alain Daniรฉlou draws attention to the fact that a musical culture that adopts a system of equal temperament thereby sacrifices the possibility of expressing all but the most general significations inherent in a musical language. ยป

After many years spent researching and leading experiments in the world of Indian modal music, Alain Daniรฉlou published a book entitled Sรฉmantique Musicale [fr] in which he proposes one of the most elaborated microtonal scales of just intonation.

According to him, the human ear is able to identify and classify pitches by using binary, ternary and quinary frequency ratios as a reference point. This theory gives rise to the unequal division of the octave into 53 notes, with frequency ratios composed solely of products of powers of prime numbers 2, 3 and 5.

credits

released March 6, 2021

Tomi Simatupang: composition, performance on Semantic Danielou and ZynaddSubFx virtual instruments.

Jacques Dudon: Semantic Danielou tunings (48, 53 just intonation)

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Tomi Simatupang Vienna, Austria

Transcultural psychedelic rock,
prog, microtonal, experimental, fretless guitar ...
Musician, music producer, sound engineer. Yogyakarta-Berlin-Vienna.

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